Artist Statement
As a multidisciplinary artist working across painting, sculpture, collage, and installation, my work takes many forms and incorporates a wide variety of materials. While I often engage with traditional mediums, I also transform everyday objects—items we typically overlook—into art that invites viewers to reconsider their shifting perceptions over time and at varying distances.
Though the form and composition of my work may change from year to year, or even piece to piece, each begins with a core set of concepts. I believe meaning is never fixed; it evolves, shaped by individual experiences, identities, and culture. We each view the world through a unique lens, and my work reflects this belief. Whether creating a floral installation from second-hand button-down shirts, a painting using time-honored materials, or a collage crafted from paint chip swatches, I process and interpret the world through my personal filter, creating art from my own distinct point of view.
At the same time, I aim to leave space for viewers to interpret my work through their own perspectives. To me, no single interpretation is more valid than another—not even my own. Each perspective reflects the life and experiences of the observer. My work becomes complete in this exchange, as it evolves into a conversation between the material object and the viewer through the dynamic process of seeing.
By encouraging this engagement, I hope to create experiences that are as much about personal discovery as they are about aesthetic exploration. Ultimately, my goal is to remind us of the fluid nature of perception and to challenge how we think about the relationships between proximity, perspective, and meaning.
As a multidisciplinary artist working across painting, sculpture, collage, and installation, my work takes many forms and incorporates a wide variety of materials. While I often engage with traditional mediums, I also transform everyday objects—items we typically overlook—into art that invites viewers to reconsider their shifting perceptions over time and at varying distances.
Though the form and composition of my work may change from year to year, or even piece to piece, each begins with a core set of concepts. I believe meaning is never fixed; it evolves, shaped by individual experiences, identities, and culture. We each view the world through a unique lens, and my work reflects this belief. Whether creating a floral installation from second-hand button-down shirts, a painting using time-honored materials, or a collage crafted from paint chip swatches, I process and interpret the world through my personal filter, creating art from my own distinct point of view.
At the same time, I aim to leave space for viewers to interpret my work through their own perspectives. To me, no single interpretation is more valid than another—not even my own. Each perspective reflects the life and experiences of the observer. My work becomes complete in this exchange, as it evolves into a conversation between the material object and the viewer through the dynamic process of seeing.
By encouraging this engagement, I hope to create experiences that are as much about personal discovery as they are about aesthetic exploration. Ultimately, my goal is to remind us of the fluid nature of perception and to challenge how we think about the relationships between proximity, perspective, and meaning.